3rd times a charm

Doll3

Here is my latest attempt.  I tried something a little different and painted her entire face with my oil paint/liquid polymer mix.  I then sanded it and painted on her facial features.  It gives the clay a more organic feel.  I thought the other two looked a little too plastic for my earthy tastes.  I have grand plans for this one.  I'm going to bead a little bird's nest hat for her.  Yes, I have gone off the deep end.  But I like the water!

Dollfeet

Her lovely striped stocking feet.  I created these by overlaying a striped cane on the sculpted feet.  I like socks - much easier than toes!  Now for some hands/arms to match and she'll be ready for assembly.  I'm going to do her body in an embroidered silk that I've been using for pillows! 

dressed & ready to go

Dollfinal

My sewing skills are very limited.  I managed to whip up a kimono style top and very full skirt with an elastic waist, along with a little scarf that I crocheted.  I'd like to knit a wool sweater, make some tiny shoes and she needs something woodsy.  Maybe I'll make a little acorn purse.  I did give her a haircut, a bit more sassy.

Now for names, it took me nine months to pick out my daughter's  names.  Anyone have a suggestion?   

Dollfinal2

Now I need to get back to work, making the ol' beads!

Doll Inspiration

Hmm, dolls can be two things...utterly enchanting or horrifyingly creepy.  Hopefully I can create ones that fall into the first category.

My creative process goes in 4 stages: inspiration, gathering, interpreting and creating. 

The inspiration is that first seed of an idea.  It might come from something that I see, read or something buried in my subconscious. 

Gathering is my favorite step of the process.  I read, look at other artists work, find my materials and stay open to the possibilities.

Interpreting is taking all the information, that first seed of the idea and my materials and deciding how to create something that is my own vision and voice.  Whether it's beads, illustration or a craft, I have to find a way to make it something other than a copy of what others have done, I have to interpret the ideas through my own visual language.  This stage often includes prototypes and experiments.

The final step is creating the actual pieces that I will call my artwork. 

Of course, by the time I get to the final step, I usually have made another discover or had an idea that pushes me even further and the process starts over again.

With dolls, I'm in the gathering and interpreting phase and will be for a long time.  Here are some rather enchanting examples of work from other doll artists that I find inspiring:

Waiting2_2

"Waiting for a Prince II" by Marlaine Verheist

Birdgirlfull

"Nina and Swiftly" by Shelley Thorton.  (my all time favorite)

Full_hallie

A pressed wool felt doll by Maggie Iacono.  How are these even made? Such a beautiful mystery!